Sienai Szent Katalin

Proveniencia

Ipolyi Arnold vásárlása a Ramboux gyűjteményből 1867-ben

Irodalom

• Sallay, Dóra: Corpus of Sienese Paintings in Hungary, 1420–1510. Florence, Centro Di, 2015. 165-170, kat. 14.
• Sallay 2008, 11, 16 (a companion piece is at the Huis Bergh Foundation); Schmidt 2008, 10, 154 n. 5 (c. 1470).
• Sallay 2004, 11 (Pellegrino di Mariano);
• Kier and Zehnder ed. 1998, 568, no. 165, repr. (Sienese, second half of 15th century; reconstruction of the Ramboux collec tion);
• Frinta 1998, 231, 478 (Ego Sum Master);
• Andrea De Marchi, written communica tion, 1993 (Pellegrino di Mariano, late work);
• second half of 15th century; reconstruction of the Ipolyi collection);
• Puglisi, in Bianchi and Giunta 1988, 245, 258, no. 150, repr. (unknown Sienese, 15th century); Cséfalvay 1989, 104, fig. 8. (Sienese painter,
• Vanni 1975, 218, pl. IV on p. 219 (Sienese school, beginning of 15th century);
• (Sienese painter, second half of 15th century);
• Boskovits, Mojzer, and Mucsi 1964, 64, fig. III/48 (Sienese painter under the influence of Giovanni di Paolo, predella fragment); Boskovits, Mojzer, and Mucsi 1967, 148, fig. III/48 (Sienese painter under the influence of Giovanni di Paolo); Mucsi 1975, 42, no. 201
• Federico Zeri, oral communication before 1964 (Pellegrino di Mariano);
• Gerevich 1928, 225 (Vecchietta); Gerevich ed. 1948, 101 (Vecchietta);
• Crowe and Ca valcaselle 1869–76, IV/1 (1871), 71 n. 40 (weaker than Vecchietta’s works);
• Ramboux 1862, 28 and [Ramboux] 1867, 30, no. 165 (Lorenzo di Pietro called Vecchietta);